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Fujifilm has an impressively loyal fan base for good reason. Its X-Series mirrorless APS-C cameras are compact, feature-packed, easy to use, produce excellent images, come with top-flight lenses and look great — all at a reasonable price. So, when Fujifilm unveiled the flagship X-H1there was excitement, but also consternation among Fujifilm fans. Nevertheless, the X-H1 offers stellar performance and consistently delivers excellent photos and video.
It’s the company’s most advanced mirrorless camera yet, packing in 5-axis stabilization, DCI 4K video, a new shutter and improved autofocus. But the X-H1 is also quite un-Fujifilm-like. It’s much heavier than Fujifilm’s previous top model, the X-T2and while it has gained some advanced video functions, can’t stand up to video-centric models like the Panasonic Fujickm.
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As I learned while testing it for a week, the X-H1 is a powerful, relatively easy-to-use camera that takes great shots. But it suffers from an identity crisis: It may not lure users away from other brands, and at the same time, the high price and heavy weight 120 turn off Fujifilm fans. Luckily, it performs where it counts by producing great images. It’s nearly as heavy as some small DSLR’s. The problem is that many shooters use Fujifilm cameras specifically because they’re not clunky DSLRs.
To be fair, part of the reason for that is the thicker, scratch-resistant magnesium body that makes it more weather- and dust-resistant. The new, five-axis in-body stabilization also adds weight, and it’s got a much larger grip, another nod to working photographers that wield large, heavy lenses.
That does help with handling, as unlike the X-T2, you can haul the X-H1 around by the grip with little fear of dropping it. It’s incredibly responsive, activating in a third of the time as the one on the X-T2 when you raise it to your eye.
It’s also bulkier than on other Fujifilm models, though. Fujifilm has cloned the top dual-dials from the X-T2, and they’re a pleasure to use on the X-H1 and feel incredibly solid. On the left, the upper dial controls ISO, and the lower one lets you change shooting settings continuous, single, etc. On the right, you can set shutter speed on the upper dial and autofocus settings zone, single-point, tracking, etc.
There’s no longer a top dial for exposure compensation like on the Fujifom. That has been replaced by an LCD display, like the one on Fujifilm’s medium-format GFXS, so exposure compensation is now controlled via a button and dial combo. The LCD is handy to see key settings at a glance, but you can see that info on the rear display and I’d rather have the exposure compensation dial back, to be honest. The X-H1 has a new, hair-trigger shutter that I still hadn’t quite figured out when I gave the loaner back to Fujifilm.
Fujifilm X-H1 review: Beautiful photos, but lacking X-series allure
It was easy to set it off by accident, especially when half-pressing for focus, so I have a lot of pictures of the ground protip: I’m sure I’d get used to it with time. Otherwise, handling is by and large the same as other Fujifilm models, apart from a few oddities. The “Q” button to change common settings is located in a slightly different, more awkward-to-reach spot, for instance. The larger body and odd handling might not please all Fujifilm fans.
Although the in-body stabilization does add bulk to the camera, it really does work well, however. It fuijcom just as vwva for video, smoothing out small movements like handshakes better than other models, including Sony’s A7R III.
Unfortunately, unlike most other cameras with built-in 5-axis in-body stabilization IBSyou can’t assign the setting to a button but have to scroll through menus to turn it on and off.
The electronic front curtain shutter — which starts the photo electronically and ends it with the mechanical shutter after the exposure is complete — is another cool new feature. That makes it a lot quieter than the X-T2, but purists still get a light clicking sound.
The hybrid autofocus system, with both phase- and contrast-detection, is nearly identical to the one on the X-T2. However, Fujifilm did tweak its algorithms to increase fujicpm speed and improve low-light performance. There are five AF-C presets accessible by the lower-left dial, depending on whether you want to track faces and static subjects or action scenes. You can also fine-tune each of those settings depending on the situation.
For moving subjects, like our bull terrier dog who loves to randomly tear around the yard, I found that focus-tracking worked best when I kept him within the phase-detect pixel veav. Outside of that, it tended to lose focus. On most subjects, though, the AF system was rock solid: At the end of the day I had very few out-of-focus shots, even when I shot quickly. While the X-H1 has Fujifilm’s best autofocus to date, it’s not quite as good as the systems on comparably priced Sony and Nikon cameras.
The TTL zone metering is also excellent, but in low light, white balance tends to be on the beva side.
As for shooting speeds, the X-H1 can only handle short bursts of 31 RAW frames when shooting at its maximum 8 fps speed with the mechanical shutter.
You can also remotely control the camera for video or fuujicom using a smartphone, but as with other camera makers, Fujifilm’s Camera Remote app is pretty clunky.
As mentioned, it activates nearly instantly when you raise it to your eye, which is ideal for quick street shooting, for instance. The X-H1 has a touchscreen like the X-T20, but it can do more with it.
It works as a focus touchpad, and you can use it to control the Q menu and change movie settings while shooting to avoid the dials, which can bump the camera and make noise. That reduces weight, but it’s not great compared to DSLRs, and the battery drains particularly quickly when filming.
If you need more endurance, consider buying the VPB-XH1 battery grip or investing in a some spare batteries, which are actually pretty cheap. On top of that, you can charge the battery directly via the USB-C port or with the included external charger, giving you plenty of options on the road. Image quality is a big selling point of X-series cameras and the X-H1 doesn’t disappoint. Color accuracy is beyond reproach, detail is excellent, and the X-trans sensor significantly reduces aliasing artifacts common to CMOS sensors.
If you shoot JPEGs, Fujifilm has one of the best engines out there, with fine detail and rich colors. Fujifilm also provides artistic JPEG color modes inspired by its analog film types like Provia, Velvia and Sepia that are non-cheesy and fun to shoot with. The X-H1 does not have the crazy low-light capability as full-frame cameras from Sony and Nikon.
However, it handles noise better than most APS-C cameras, cannily sharpening detail and killing noise when appropriate. Images at up to 3, ISO are virtually free of grain, and only at ISOs around 6, or even 12, did I notice any noise or desaturated colors.
Dynamic range is also superb, as I was able to find invisible detail in highlights and shadows when shooting RAW, again without seeing excessive noise. With the X-H1, Fujifilm reached has greatly elevated its video capability. The camera is much more capable than ever with DCI 4K resolution 4, x 2,a Mbps bit rate that’s twice that of the X-T2, and a nearly full sensor readout with super-sampling.
Continuous shooting is limited to 15 minutes in DCI 4K or Ultra HD modes, but you can double that with the optional power booster grip.
Fujifilm X-H1 review: Beautiful photos, but lacking X-series allure
While they’ll work just fine with any X-series camera, Fujifilm said they’ll “fit like a glove” with the X-H1. Most importantly, they show that Fujifilm is committed to video, and likely to release more interesting cinema products down the road.
To maximize dynamic range, Fujifilm’s F-Log setting now works with internal recording, and new Eterna video profiles produce lovely results straight out of the camera. Internal recording is done with a limited 4: It has a 3. The X-H1 produces sharp, rich video with little aliasing and artifacts. But the GH5 and the slightly more expensive GH5s also offer DCI video the de facto standard of the film and video production industrybut at higher bit rates with bit, 4: That provides more dynamic range and color information for later tweaking.
The X-H1 is Fujifilm’s most technically advanced mirrorless camera yet and makes it easier fujjicom ever to produce stellar images. Those features have made the camera bigger and a bit more awkward, though. As such, the X-H1 loses some of the Fujifilm charm. A fjjicom of X-Series cameras have been sold because of their compact size, mechanical dials and good looks. Finally, still photographers might be more inclined to pick Nikon’s D, which has a superior point hybrid AF, 10 fps shooting speed, much larger shot buffer and 1,shot battery life.
For the X-H2 or whatever the next model is, Fujifilm ought to see if it can get the body size down while keeping the fujcom features and improving performance.
It should try to match Panasonic by offering bit, internally-recorded 4: Despite those issues, the Fujifilm X-H1 does excel where it counts with solid performance and consistently great images and video, and you won’t be disappointed if you buy one — as long as you know what to expect. The article originally said that the X-H1 has a touchscreen like the X-T2, but it’s the X-T20 that has a touchscreen — the X-T2 has no touch functionality.
The best drones for photos and video. Snapchat lenses now officially work on dogs. Be the first to review the X-H1? Fujifilm X-H1 review 21 Photos Performance The larger body and odd handling might not please all Fujifilm fans.
Fujifilm X-H1 sample images 36 Photos Video With the X-H1, Fujifilm reached has greatly elevated its video capability. Wrap-up The X-H1 is Fujifilm’s most technically advanced mirrorless camera yet and makes it easier than ever to produce stellar images.
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